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SHOW ARTICLES IN CATEGORY:
Ingold and Solnit
This week Mapping Edges co-facilitated the Composting Feminism reading group with Abby Mellick Lopes. We read Tim Ingold’s 2004 essay ‘Culture on the Ground: The World Perceived Through the Feet’ and ‘Rising and Falling: The Theorists of Bipedalism’, one of the essays from Rebecca Solnit’s 2001 book Wanderlust: A History of Walking. Rereading Wanderlust for the reading group was […]
Sydenham
Over the last fortnight I have been in residency at Frontyard with artists, geographers, musicians, architects and residents, researching the area proposed by the Inner West Council as the ‘Sydenham Creative Hub’. Council has proposed changes to the current planning controls with the aim to further their vision for the area as ‘a vibrant entertainment […]
Hacking the Anthropocene
I recently attended a workshop on Survival, as part of ‘Hacking the Anthropocene‘. The event was located at the Canoe Club on the Cooks River, just near Tempe Sation: The River River Canoe Club of New South Wales. I walk past this club almost every day and was very curious about what was inside. The […]
Lismore
In late March this year when ex-Tropical Cyclone Debbie moved south and merged with a cold front moving up the north coast it triggered heavy rainfall in the Northern Rivers leading to significant flooding in the river town of Lismore. There are some amazing photos here According to the NSW government, the floods have caused more […]
Composting #19: Walking as Epistemic Practice
Reposted from ‘COMPOSTING Feminisms and Environmental Humanities’, a reading group of cross-institutional, cross-disciplinary scholars exploring the traces and legacies of inclusive feminisms within the broad Environmental Humanities, and forging new linkages between the two fields. Tuesday 8 August, 4-5:30 | Facilitated by Abby Mellick Lopes & Ali Crosby | Readings: Ingold (2004) ‘Culture on the Ground: The World […]
Designing with weeds
I am in Venice, and I am posting from a garden on the island of Giudecca. It is best described as a series of four gardens, each on the site of plots of land with their own plant history. These histories are layered through the current design, from the layout of old orchards, to a vegetable […]